Bibliography 4.8

University of Pittsburgh
Russian and Soviet Cinema: Bibliography

4. Russo-Soviet Cinema

4.8. Russo-Soviet Cinema: Issues in 20th Century Russian and Soviet Cinema
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  • –. “To Moscow! To Moscow? The Russian Hero and the Loss of the Center.” Russia on Reels: The Russian Idea in Post-Soviet Cinema. Ed. Birgit Beumers. London: I.B. Tauris, 1999. 76-87.
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  • Bulgakowa, Oksana. “The Hydra of the Soviet Cinema: The Metamorphoses of the Soviet Film Heroine.” Red Women on the Silver Screen: Soviet Women and Cinema from the Beginning to the End of the Communist Era. Ed Lynne Attwood. London: Pandora, 1993.
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  • Condee, Nancy. “From Emigration to E-migration: Contemporaneity and the Former Second World.” In Modernity, Postmodernity, Contemporaneity. Ed. Terry Smith, Okwui Enwezer, and Nancy Condee. Durham: Duke UP, 2008. 235-249.
  • —. “Imperial Ectoplasm.” Pittsburgh Film Colloquium Roundtable: “National Cinema.” KinoKultura 6 (October 2004).
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  • Dallet, Sylvie. “Historical Time in Russian, Armenian, Georgian, and Kirghiz Cinema.” The Red Screen: Politics, Society, Art in Soviet Cinema. Ed. Anna Lawton. London: Routledge, 1992.
  • Dashkevich, Vladimir. “Muzyka i kino.” Iz lektsii, prochitannykh na fakul’tete dopolnitel’nogo professional’nogo obrazovaniia. Moskva: VGIK, 2001.
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  • Demin, Viktor. O Demine vspominaiut… Demin pisal… Comp. N.I. Pavlenko. Moskva: Leksika, 1996.
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  • Dobrenko, Evgeny. “Soviet Comedy Film: or, the Carnival of Authority.” Trans. Jesse M. Savage. Discourse 17.3 (Spring 1995): 49-57.
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  • Dobrotvorsky, Sergei. “Cinema Myths and the Future of Culture.” Re-Entering the Sign: Articulating New Russian Culture. Ed. Ellen E. Berry and Aness Miller-Pogacar. Ann Arbor: U of Michigan P, 1995.
  • –. “The Most Avant-Garde of All Parallel Ones.” Russian Critics on the Cinema of Glasnost. Ed. Michael Brashinsky and Andrew Horton. NY: Cambridge UP, 1994.
  • Documentary Films of the Baltic Soviet Republics: A Retrospective. 19th Nyon [Switzerland] International Documentary Film Festival. Berlin, 1988.
  • Dolmatovskaia, Galina and G. Kopalina, eds. Posle vzryva: Dokumental’noe kino 90-kh. Moskva: Andreevskii flag, 1995.
  • Dondurei, Daniil. “Russian Cinema–National Cinema? Three Views: ‘Cinema and Life’ October 1997).” Russia on Reels: The Russian Idea in Post-Soviet Cinema. Ed. Birgit Beumers. London: I.B. Tauris, 1999. 43-46.
  • Drubek-Meyer, Natascha and Nikolai Izvolov. “Critical editions of films in digital formats.” Trans. James Mann. Studies in Russian and Soviet Cinema 2.2 (2008): 205-216.
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  • Dymshits, K. and Aleksandr Troshin. Iz proshlogo v budushchee: ob istorizme kino. Moskva: NII Kinoiskusstva, 1990.
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  • Ferro, Marc. “Does a Film Writing of History Exist? The Case of the Soviet Union.” The Red Screen: Politics, Society, Art in Soviet Cinema. Ed. Anna Lawton. London: Routledge, 1992.
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  • –. Teoriia kino: Ot Eizenshteina do Tarkovskogo 2-oe izd. Moskva: Akademicheskii proekt, 2002.
  • Gabrilovich, Evgenii and Sergei Iutkevich. Kinotrilogiia o Lenine. Moskva: Progress, 1985.
  • Gillespie, David C. “‘The Italians are Coming!’: Italy and the ‘Other’ in Soviet Cinema.” In Russia and its Other(s) on Film: Screening Intercultural Dialogue . Ed. Stephen Hutchings. NY: Palgrave Macmillan, 2008. 47-61.
  • –. “New Versions of Old Classics: Recent Cinematic Interpretations of Russian Literature.” Russia on Reels: The Russian Idea in Post-Soviet Cinema. Ed. Birgit Beumers. London: I.B. Tauris, 1999. 114-124.
  • –. “Of human bondage and male bonding: male relationships in recent Russian cinema.” 100 Years of European cinema: Entertainment or ideology? Ed. Diana Holmes and Alison Smith. Manchester: Manchester UP, 2000. 133-143.
  • —. “The Sounds of Music: Soundtrack and Song in Soviet Film.” Slavic Review 62.3 (Fall 2003): 473-490.
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